Tuesday, January 28, 2014

Edwin Ruda @ Berry Campbell






From the Press Release:
 
Unafraid to step beyond stylistic boundaries, Edwin Ruda consistently probed the incongruities and connections between minimalism and the geometric and lyrical modes of abstraction. Ruda’s “band” paintings embody his efforts to reconcile these two divergent forms. The result is an elegant, radiant body of work. Loosening the flow of his paint, Ruda introduced pure and translucent bands of colors that are rarely part of minimalist statements.  He then worked through the resulting contradictions without allowing structure or formlessness to dominate.

Peter Schjeldahl stated in 1973 that Ruda, “a painter of large, complex painterly abstractions,” was “an artist often overlooked in discussions of contemporary painting, but I believe one of the finest in America.”  James Gleeson wrote in a 1974 review of Ruda’s show at Gallery A, Sydney, Australia, that the artist had found the “missing link between minimal art and lyric abstraction.”







Edwin Ruda: The Band Paintings (1969-1972)
Through Saturday, February 8, 2014
530 W 24th Street
New York, NY 10011



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